hellboundwitch:

So, I call this spread The Hand You’re Dealt and it’s..pretty open ended. I like spreads that can be adapted to a lot of situations! But the main idea for this is when you have SEVERAL things that you need to read for, and you’d like to go in depth for each of them. A rather overwhelming prospect!

This particular spread was designed for a 78-79 card tarot deck. It uses every card. If you have a deck that has more or fewer cards, then I’m sure you could fiddle with the numbers to get the general idea of this spread to work.

So, because this spread is meant for versatility, you don’t get hard and fast meanings for the positions. Use them as you see fit! I’ll just give you a general overview of what I see as being possible so far. Feel free to tweak this as much as you like and use your imagination on it.

Cards 1-6: These are the overview cards. You can pick six areas of your life to look at (love, money, health, friendships, school, spiritual?), six people in your life (mother, father, brother, sister, best friend, love interest?)…even six choices, problems, or ideas.

As some of you may have seen, when testing this spread, I picked six “selves” — witch, pagan, author, artist, fortune teller, and then my public “persona”, if you will.

Personally, I look at each of these six cards as six people who are now about to get their own reading. I used these cards to give me an overview of these people — their situations, their destinies, their potential. In at least one case, the card in this position told how I felt about that part of my life.

Note that if you want to pick six totally unrelated things, you can do that as well! You don’t have to be themey in what you pick.

Piles: Now, each person gets dealt 12 cards. If you’re using a 78 card deck, you won’t have any left in your hand when you’re done.

The cards in the piles are also whatever you need them to be. You can read them chronologically. You can arrange them into a story. I personally looked at them as the options I had in each situation. I can choose to play the card or not, but it’s in my hand. You may see them as the energies at work in each area.

It’s fun to look at where the cards end up at.  Where is The Tower going to end up? Ten of Swords? What are they going to mean there? If you have a significator, where did it go? Did all of your majors end up dumped in one spot? That kind of thing.

Optional Card: If you have a card left over, you can look at it as an overview of everything going on in each area, or maybe the Ace up your sleeve to help you in an area that you don’t like your cards for. Maybe it’s something you can apply to each situation.

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If you can’t come up with six areas, you can use the basic idea of the spread and either adjust the number of cards in the piles, or just not read with the entire deck, of course. But I like the idea that you’ll see every card you have in the reading.

Also, I have to say, I’m really fond of the format of this spread — most 78 card spreads take up a lot of space, and it’s really hard to look at them as a coherent reading. By breaking it up like this, I feel like it helps to narrow the focus. 

Each time I’m asked to tell about myself, I find myself starting the same way: “My name is Kelsey and I’m nineteen..”
but what I’d really like to say is:
“My name means island of the ships but once
I found a translation that said I’m a burning shipwreck-
not a burning ship but a ship that has caught fire
after the wreckage and well, I’d say that’s more fitting.”

I’ve learned that people don’t have time for about me’s.
They need two things: a name and an indication you’re someone special.

The doctors, they want facts not details.
“I broke my leg when I was three, it’s a funny story actually-“
The right or the left?
Conversation over.

The teachers, they want interests, hobbies.
You’re sad, yes, but what do you like to do?

The adults are a spew of questions.
What school do you go to? What classes are you taking?
What do you plan on becoming? Got a boyfriend?
No, stop.

People my own age are the worst.
“I’m planning on an English degree with a concentration in creative writing.”
Yeah, aren’t we all. So how many times have you, you know,
done it?

I’m pulled apart, my interests travelling highway 2
my goals at a stop light at traffic hour,
my medical history on a billboard for the world to see.
But what about me?

Where’s the chance to say,
“I hang on to fistfuls of poetry like loose change in my pockets,
and I keep waiting for the day that the world turns upside down
so I can swim with the stars.
I’m not afraid of darkness, it’s a loneliness I can empathize with it.
It’s the blackholes like cigarette burns inside of me that get troublesome.
I walk through graveyards and read the dashes between years,
each a story I’ll never know. Sometimes I create my own.”

No wonder none of us know who we are anymore.

Kelsey Danielle, “I Was Told to Write an About Me and This is What Happened” (via dancinguponthearchitecture)

Protection Floor Wash Recipe

dythetiern:

This floor wash includes ingredients meant to help cleanse and purify your home, and promote peaceful, happy feelings. Take the herbs, steep them for about 15 minutes in hot water, strain them. Take that water, add your cleaning product of choice and put in more warm water and then wash your floors.

  • 2 parts rosemary
  • 2 parts basil
  • 2 parts bay leaves
  • 2 parts ginger
  • 2 parts sea salt
  • 1 part dried garlic
  • 1 part black pepper

Laurie Penny’s Saudade

There are more of us than you think, kicking off our high-heeled shoes to run and being told not so fast

The best minds of my generation consumed by craving, furious half naked starving-

Who ripped tights and dripping make up smoked alone in bedsits bare mattresses waiting for transfiguration.

Who ran half dressed out of department stores yelling that we didn’t want to be good and beautiful

Who glowing high and hopeful were the last to leave the gig our skin crackling with lust and sweat and pure music

Who wrote poetry on each other’s arms and cared more about fucking than being fuckable

Who worked until our backs stiffened and our limbs sang with the memory of misbehaviour that was what it was to be a woman

Who dared to dance until dawn and were drugged and raped by men in clean T-shirts and woke up scared and sore to be told it was our fault

Who swallowed bosses’ patronizing side-eyes stole away from violent broken boys in the middle of the night and vowed never again to try to fix the world one man at a time

Who slammed down the tray of drinks and tore off our aprons and aching smiles and went scowling out into the streets looking for change

Who stripped in dark rooms for strangers’ anodyne dollars because we wanted education and were told we were traitors

Who sat faces upturned to the glow of the network searching searching for strangers who would call us pretty

Who bared our breasts to hidden cameras and fought and fought and fought to be human

Who waited in grim hallways with synth-pop crackling over the speaker system for the doctor to call us clutching fistfuls of pamphlets calling us sluts whores murderers

Who crossed continents alone with knapsacks full of books bare limbs clear-eyed vision running running from the homes that held our mothers down

Who filled notebooks with gibberish philosophy and scraps of stories and cameras to prove we were there keeping our novels and the name of out children close to our hearts

Who were told all our lives that we were too loud too tisky too fat too ugly too scruffy too selfish too much too and refused to take up less space refused to be still refused refused refused to be tame

Who would never be still. Who would never shut up. Who were punished for it and spat and snarled and they shook the bars of our cages until they snapped and they called us wild and crazy and we laughed with mouths open hearts open hands open and would never not ever be tame.

Sara, I’m with you in hospital, in the narroe rooms where you have put off your veil to count your ribs through your T-shirt, short hair and secrets and quiet defiance crying together that we don’t know how to be perfect-

Lara, I’m with you in mandatory art therapy, where we draw pictures of weeping cocks and are told we are not making progress-

Lila, I’m with you in a north London bathdroom, watchhing unreal maggots crawl in the cuts in your arms and listening to your girlfriend drunk and raging through the wall-

Andy, I’m with you in Bethnal Green where you love ambitious angry women with heart brain pen fingers tongue and you have a line from Nietzche tattooed over your cunt-

Adele, I’m with you in the student occupation, with your lipstick and cloche hat and teenage lisp drawling that there’s not enough fucking in this revolution and we must take action-

Kay, I’m with you on the night bus, half drunk and high dragging bright-eyed boys home to our bed, where we watch them worn out sleeping and whisper that we will never be married-

Katie, I’m with you in Zuccotti Park, where a broken heart is less important than a broken laptop is less important than a broken future and we watch the cops beating kids bloody on the pavement for daring to ask for more-

Tara, I’m with you in Islington where you have thrown all your pretty dresses out of the window and flushed your medication so you can write and write-

Alex, I’m with you and a bottle of Scotch at two in the morning when you tell me that no man will make us live for ever and we must seduce the city the country the world-

We are always hungry.

There are more of us than you think.

Laurie Penny’s Saudade, from Fifty Shades of Feminism (via mollycrabapple)

So good.

(via neil-gaiman)

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